“The show, originally assembled for the 1939 San Francisco World’s Fair and subsequently exhibited at the Art Institute of Chicago before heading to MoMA, was no small affair. It featured 10 tons of art insured for $21 million (the equivalent of $360 million today)—the Botticelli alone clocked in at 6,700 pounds and was valued at $4 million. Given the staggering value of the work involved, significant security measures were employed. Armed guards and a fire guard accompanied the objects on the trip from Chicago to New York, along with two Italian art handlers who checked the climate-controlled baggage car hourly. The frames were packed separately, and each painting was glazed with bulletproof glass.”—Michelle Elligott
For this latest iteration of our long-running series with The Museum of Modern Art Archives, Chief of Archives Michelle Elligott presents a range of materials—including a removable insert reproduced in facsimile—related to MoMA’s 1940 exhibition Italian Masters.
Michelle Elligott is Chief Archivist at the Museum of Modern Art in New York. Elligott coedited Art in Our Time: A Chronicle of the Museum of Modern Art, cocurated MoMA’s “1969” exhibition, and has published and lectured widely.