A site-specific installation by the late Connecticut-based artist Bryan Nash Gill featured an eight-color, 122-square-foot woodcut print with applied monoprint that mirrored the gallery’s OSB particle-board floor. The piece, consisting of nine separate components printed from four woodblocks and four Plexiglas stamps, correlated with an eponymous project Gill created for Esopus 18, which was launched jointly at a reception for Gill on May 2, 2012. The title of the exhibition and project referenced the fact that Esopus Space, which staged 18 exhibitions and more than 30 events in its three years of existence, officially closed when Gill’s show ended on June 5th.  VIEW MORE PHOTOS

– ANNOUNCEMENT [PDF]


– PRESS RELEASE [PDF]

- REVIEW IN THE NEW YORKER [LINK]