French historian Stéphane Gerson considers these questions in a fascinating analysis of visual representations of Nostradamus over the past 500 years.
“Who was he? And more to the point, what is he to us?”
French historian Stéphane Gerson considers these questions in a fascinating analysis of visual representations of Nostradamus over the past 500 years.
Stéphane Gerson is a professor of French, French Studies, and History at New York University and director of the Institute of French Studies. Gerson is the author of The Pride of Place: Local Memories and Political Culture in 19th-Century France (Cornell University Press, 2003), which won the Jacques Barzun Prize in Cultural History and the Laurence Wylie Prize in French Cultural Studies. His recent publications include Nostradamus: How an Obscure French Doctor Became the Modern Prophet of Doom (St. Martin’s Press, 2012), “Remembering and Forgetting” (Bloomsbury, 2020), and “Tentatives de cambriolage, troubles d’historien” (CNRS Editions, 2022).